Maura K Heyn Gesture and Identity in the Funerary Art of Palmyra

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Papers

As the dominicus set on James Henry Breasted's single 24-hour interval of field work at Dura-Europos in 1920 he and ... more than As the lord's day set on James Henry Breasted'south single day of field work at Dura-Europos in 1920 he and his team stood in front of the north wall of the pronaos of the Temple of the Palmyrene Gods, Although paintings covered the entire extant wall, they had merely one picture plate left and chose to photograph the painting of Julius Terentius with his troops, on the right hand side of the wall (pl. 37). When Franz Cumont returned in the flavor of 1922 through 1923, he re-exposed the decoration on the north wall, took pictures, made illustrations, and noted graffiti. Cumont also had a protective wall congenital in front of the paintings. This wall was dismantled 8 years later, when most of the paintings adorning the temple were removed and transported to the National Museum in Damascus and the Yale University Art Gallery." Although scholars who piece of work at Dura-Europos know when the paintings were removed and, generally, where they went, the electric current location of the remainder of the north wall of...

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The abundance of female person funerary portraits from Palmyra makes them a tempting source for assessin... more The abundance of female funerary portraits from Palmyra makes them a tempting source for assessing the roles of women in ancient Palmyrene social club. These bust-length portraits created in the first several centuries CE provide a wealth of particular on dress, adornment, family unit, and, in some cases, domestic activities. Although it has long been best-selling that the portraits are not faithful renditions of the actual features and advent of the deceased, the variability of gesture, dress, attributes, amongst other characteristics, suggests that the Palmyrenes did take some option in the fashion in which they, or their family members, were represented. The correlation betwixt these portraits and any kind of reliable indication of women'due south roles in society is unlikely, yet, since representations of women in the funerary sphere in general are normative, presenting an ideal to be achieved or societal priorities. Interpretation of the portraiture is further complicated by the political situati...

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Fashioned Selves , Sep 15, 2019

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Bulletin of the American Schools of Oriental Research

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The Classical Review

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Faith, Club and Culture at Dura-Europos , 2000

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Bulletin of the American Schools of Oriental Research

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A Companion to Women in the Ancient World , Jan 1, 2012

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Journal of Mediterranean Archæology , Jan ane, 2006

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American Journal of Archaeology , Jan one, 2010

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Conference Sessions

Dress plays an essential role in the iterative performance of gender in antiquity, subtly shaping... more Apparel plays an essential role in the iterative operation of gender in antiquity, subtly shaping bodies, modifying movements, and providing templates for sanctioned identities. Papers in this session nowadays dissimilar theoretical and methodological strategies for the estimation of the roles of dress in construction and negotiation of gendered identity.

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Book Sections

in: Heyn, M. One thousand. & Raja, R. 2021. Individualizing the Dead: Attributes in Palmyrene Funerary Sculpture, Studies in Palmyrene Archaeology and History iii (Turnhout: Brepols), i-11 , 2021

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Cifarelli, Megan (ed.). 2019. Fashioned Selves: Apparel and Identity in Antiquity (Oxford: Oxbow), pp. 41-53 , 2019

Palmyra, ancient Tadmor, was in the start three centuries CE a flourishing trade node in the Roma... more Palmyra, ancient Tadmor, was in the first three centuries CE a flourishing trade node in the Roman Empire. Situated equally the final finish on the Silk Road, camel caravans were reloaded onto donkey caravans, then went on to the areas west of Palmyra. Although having been nether Hellenistic influence for centuries, the region displays little tangible evidence of exactly how such influence impacted the societies in the region. With Pompey'due south conquest in the 60s BCE, the region came nether firm Roman control, and local societies responded to this interaction. This contribution looks at the fabric prove from Palmyra from the period betwixt the 1st century CE and the tardily 3rd century CE in order to judge the way in which Palmyrene men were represented in the Palmyrene fine art. About testify stems from the funerary sphere, since the public and religious statuary largely has disappeared over the centuries. This paper considers the ways in which local and strange vesture traditions impacted Palmyrene society and shapes the expression of the male identities in the oasis urban center.

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Edited Volumes

Heyn, G. Grand. & Raja, R. (eds.) 2021. Individualizing the Dead: Attributes in Palmyrene Funerary Sculpture, Studies in Palmyrene Archæology and History three (Turnhout: Brepols) , 2021

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As the sun assail James Henry Breasted's unmarried twenty-four hours of field piece of work at Dura-Europos in 1920 he and ... more As the dominicus ready on James Henry Breasted's unmarried twenty-four hour period of field piece of work at Dura-Europos in 1920 he and his team stood in front of the north wall of the pronaos of the Temple of the Palmyrene Gods, Although paintings covered the entire extant wall, they had but i pic plate left and chose to photograph the painting of Julius Terentius with his troops, on the right hand side of the wall (pl. 37). When Franz Cumont returned in the season of 1922 through 1923, he re-exposed the decoration on the north wall, took pictures, made illustrations, and noted graffiti. Cumont also had a protective wall congenital in front of the paintings. This wall was dismantled eight years later, when most of the paintings adorning the temple were removed and transported to the National Museum in Damascus and the Yale University Fine art Gallery." Although scholars who work at Dura-Europos know when the paintings were removed and, generally, where they went, the electric current location of the remainder of the north wall of...

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The affluence of female funerary portraits from Palmyra makes them a tempting source for assessin... more The abundance of female person funerary portraits from Palmyra makes them a tempting source for assessing the roles of women in ancient Palmyrene society. These bosom-length portraits created in the outset several centuries CE provide a wealth of item on dress, beautification, family, and, in some cases, domestic activities. Although it has long been acknowledged that the portraits are not faithful renditions of the actual features and appearance of the deceased, the variability of gesture, dress, attributes, among other characteristics, suggests that the Palmyrenes did take some selection in the manner in which they, or their family unit members, were represented. The correlation between these portraits and any kind of reliable indication of women's roles in society is unlikely, however, since representations of women in the funerary sphere in general are normative, presenting an ideal to be achieved or societal priorities. Interpretation of the portraiture is further complicated past the political situati...

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Fashioned Selves , Sep xv, 2019

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Bulletin of the American Schools of Oriental Research

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The Classical Review

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Religion, Society and Culture at Dura-Europos , 2000

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Message of the American Schools of Oriental Enquiry

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A Companion to Women in the Ancient World , Jan ane, 2012

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Journal of Mediterranean Archaeology , Jan one, 2006

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American Periodical of Archeology , Jan 1, 2010

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Clothes plays an essential office in the iterative performance of gender in artifact, subtly shaping... more than Dress plays an essential role in the iterative performance of gender in antiquity, subtly shaping bodies, modifying movements, and providing templates for sanctioned identities. Papers in this session present different theoretical and methodological strategies for the interpretation of the roles of dress in structure and negotiation of gendered identity.

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in: Heyn, M. Yard. & Raja, R. 2021. Individualizing the Dead: Attributes in Palmyrene Funerary Sculpture, Studies in Palmyrene Archeology and History 3 (Turnhout: Brepols), i-11 , 2021

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Cifarelli, Megan (ed.). 2019. Fashioned Selves: Dress and Identity in Artifact (Oxford: Oxbow), pp. 41-53 , 2019

Palmyra, ancient Tadmor, was in the first 3 centuries CE a flourishing trade node in the Roma... more than Palmyra, ancient Tadmor, was in the commencement three centuries CE a flourishing trade node in the Roman Empire. Situated as the concluding stop on the Silk Route, camel caravans were reloaded onto donkey caravans, and then went on to the areas west of Palmyra. Although having been under Hellenistic influence for centuries, the region displays little tangible evidence of exactly how such influence impacted the societies in the region. With Pompey'due south conquest in the 60s BCE, the region came nether firm Roman control, and local societies responded to this interaction. This contribution looks at the textile evidence from Palmyra from the period between the 1st century CE and the late tertiary century CE in order to gauge the mode in which Palmyrene men were represented in the Palmyrene art. Most evidence stems from the funerary sphere, since the public and religious statuary largely has disappeared over the centuries. This paper considers the ways in which local and foreign clothing traditions impacted Palmyrene society and shapes the expression of the male identities in the oasis city.

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Heyn, M. G. & Raja, R. (eds.) 2021. Individualizing the Expressionless: Attributes in Palmyrene Funerary Sculpture, Studies in Palmyrene Archeology and History 3 (Turnhout: Brepols) , 2021

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Source: https://uncg.academia.edu/MauraHeyn

Martinez Werseree

Maura K Heyn Gesture and Identity in the Funerary Art of Palmyra

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